Jack waters gay

Do you know what we’re doing? Jack Waters is a visual artist, filmmaker, writer, choreographer, and performer. Published in Franklin Furnace: Works. Cramer's performances, films, and installations have been featured in alternative spaces, museums, and cultural institutions across the world.

Waters and Cramer express the personal as political through monologues while using visual and sonic elements to form a pastiche of opera. To those ends, the film’s rendition of gay hustler Jason Holliday (portrayed here by Jack Waters) is remarkable: it sketches out Jason’s dreams and nightmares in brazenly emotional flights of inward fancy, made all the more jarring by Waters’ unflinching, body-pressurized performance.

Jack Waters, USA, 11 min. Family Dick (TV Series –) - Cast and crew credits, including actors, actresses, directors, writers and more. Montage is an important element that Waters and Cramer utilize throughout the performance. Introduction to performance by Diane Torr.

Musical accompaniment by Michael Messinger. Together, they co-created the nonprofit arts organization Allied Productions, Inc. Cramer and Waters were a catalytic force behind the dance and performance collective POOL, which explored contact and improvisation utilizing theater, ritual, and activism.

THE MALE GAYZE dir. Jack Waters and Peter Cramer come of age as artists and gay men in SPEW: A New York Glamrock Operadrama (). 3, Followers, Following, 47 Posts - Jack Waters (@jackwatersxoxo) on Instagram: "Go Hard or Go Home💪🏽 And If You’re Hard and Home, Go Here⬇️😏".

Cuz we don’t🤪 @Hazel 🥰 @LucaAmbrose #fyp #gay #lgbt #mwah #mwahchallenge. Projection coordination by Carl George. Print Email Media Image Gallery. The Twink's Diary: With Greg Dixxon, Jack Waters. Waters and Cramer use classical and avant-garde forms to merge the differing aesthetics of the Uptown and Downtown art scenes.

THE MALE GAYZE presents an individual’s observation of sexuality and power relations between men, a young African American dancer’s reminiscence of his encounter with a famous Dutch choreographer. Waters and Cramer express the personal as political through monologues while using visual and sonic elements to form a pastiche of opera.

As life and art partners, Waters and Cramer have collaborated on a number of projects. As a journalist he has published articles on politics, cultural affairs, visual arts, film, and media.